Boston - based soprano and flutist Mara Riley, whose "light soprano sparkles beautifully" (Boston Musical Intelligencer), is recognized for her compelling musicality, having a particular affinity for early music, chamber music, and ensemble work. She plays both modern and Baroque flute.

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The 2025-2026 season will bring performances with the Boston Early Music Festival in Boston and Germany. She will sing the role of Armillo in Provenzale's La Stellidaura vendicante, as well as join the company of Telemann's Don Quichotte at the Magdeburger Telemann-Festtage in Magdeburg, Germany. She will sing the role of Belinda with Emmanuel Music in Errolyn Wallen's Dido's Ghost, and will appear as a soloist and ensemble member in Emmanuel's 55th Cantata Series (soloist: BWV 180, 133, 37, 42). She will make her debut with Aeternum in Napa Valley, CA, and return to sing with Nightingale Vocal Ensemble. She will also join the Handel + Haydn Society as both a singer (Handel's Saul, chorus) and as a flutist (Telemann's Ino). She joins the chorus of Boston Baroque's performances of Idomeneo.

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This summer, she will be in residence at the Charlotte Bach Festival (as a singer) and the Oregon Bach Festival's Berwick Academy (as a flutist).

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​In the 2024-2025 season, she performed with the Boston Early Music Festival as both a singer (Telemann's Don Quichotte) and a flutist (Telemann's Pimpinone and Ino). She appeared as the soprano soloist with the Colorado Bach Ensemble (BWV 47), Emmanuel Music (BWV 127, 227, 122, Ruehr’s Song of the Earth), and the Boulder Bach Festival (arias by Vivaldi, Agnesi, Merula, and Caccini). She also joined the Boulder Bach Festival as flute soloist for Bach's beloved Brandenburg Concerto no. 5. She performed John Tavener's Akhmatova Songs with The Sarasa Ensemble. She joined the orchestra for Blue Hill Bach's St. Matthew Passion (Baroque flute).

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She finds great fulfillment in ensemble singing, having sung with various professional church choirs across Boston. She sings regularly on Emmanuel Music's weekly Cantata Series, as well as their season concerts (Bach's St. Matthew Passion in 2024, "Christmas at Emmanuel," and Bach's B minor mass in 2025). She sings regularly with Nightingale Vocal Ensemble. She was one of the 2024/2025 Voces8 US Scholars and was featured in concert with both Voces8 and Lyyra. 

In 2023, she was named first prize winner in the Colorado Bach Ensemble's Young Artist Competition with her performance of Jauchzet, Gott in allen Landen. She was the 2023 soprano fellow with Emmanuel Music’s Bach Institute. She sang Handel’s Samson with the Cambridge Chamber Ensemble (Philistine Woman), and was the soprano soloist for two performances of BWV 10  with the Colorado Bach Ensemble. She was named winner of the 2024 Rhode Island Civic Chorale and Orchestra Collegiate competition, and was later featured as soprano soloist in their performance of Handel's Messiah. In 2023, she appeared as a soloist in Handel’s Israel in Egypt with the Back Bay Chorale under the baton of Anthony Trecek-King. She was the soprano soloist in Handel's Messiah with the Boulder Bach Festival, in both 2023 and 2021. ​

She sang the role of Calisto in Cavalli's La Calisto in the New England Conservatory's 2023 production. Other favorite opera roles have included: Mary Bailey in Heggie’s It’s a Wonderful Life, Flora in Britten’s The Turn of the Screw, Belinda in Purcell’s Dido and Aeneas, and Héro in Berlioz’s Béatrice et Bénédict. 

Art song is an important part of her musical life. She was a 2025 fellow with the Toronto Summer Music's Art of Song. Her performance of Poulenc's Il vole (Fiançailles pour rire) was awarded the Honorable Mention (Best Performance of a non-contemporary work) in the 2024 Calliope's Call Young Singer Art Song Competition. She was heavily involved in the art song activities at NEC, as a member of the selective Song Lab. She was the runner up in the University of Colorado Honors Competition (2020) for her performance of Britten's Les Illuminations.

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She recently completed a double masters (MM '24) in Flute and Vocal Performance at the New England Conservatory, in the respective studios of Paula Robison and Lisa Saffer. She studied Baroque flute with Andrea LeBlanc. She holds a double BM from the University of Colorado - Boulder, where she studied with Christina Jennings and Jennifer Bird-Arvidsson.

When not practicing, she loves to be outside (especially when the sun is out) and can often be found hiking or backpacking in her home state of Colorado. Her goal in life is to meet as many dogs as possible.